I am a photographer with a special interest to document the lives of travelling people and those attending Festivals. I have tried to say something of the lifestyles of the wide variety of people engaged in ‘alternatives’, and youths many sub-cultures. I have photographed many free and commercial events and have, in recent years, extended my work to include dance parties (‘rave culture’). An entire section is now devoted to current forms of environmental protest.

Since 1981 and have built a body of work that has been widely applied by the media and others doing research. In addition to my black and white work, I maintain a ‘Slide Library’.

I have supplied pictures to illustrate articles in a variety of publications including – Guardian, Independent, i-D Magazine, Select, Sounds, DJ, Radio Times, New Statesmen & Society, Squall. Work is also distributed widely round the internet.

Additionally, I have contributed to a number of TV films including ‘May the Force be with you’ and ‘Spirit of Albion’ for Channel 4 . ‘An Englishman’s’ Right’, ‘Trashed’ and ‘Surveillance Society’ for BBC. I consulted in making ‘Operation Solstice’, a film about the bloody police action to prevent the gathering at Stonehenge and the civil action that followed. I have also produced illustrated lectures to educational establishments.

Self-published a book entitled ‘Stonehenge – Solstice Ritual’, to describe aspects of the summer solstice celebrations at the monument.

Provide photographs for the magazine ‘Festival Eye’. The material was designed to show the many aspects of festivals and of the travelling lifestyle. It has a highly pictorial content. I am also concerned with the editorial content of this magazine.

Have contributed to an exhibition titled ‘Stonehenge belongs to you and me’. The show was organised by Dr. Barbara Bender, Professor of Anthropology at University College, London. The exhibition has toured a number of civic sites and museums and has promoted much public debate about access to the monument.

With the onset of the 1994 Criminal Justice Act, I have prepared information booklets titled ‘The Right to Party’. They contain imagery and comment on the main aspects of the law and the implications for the groups primarily affected. The publication and distribution was paid for by a series of benefit events organised by the dance music systems of the East Midlands under the label ‘All Systems No’.

I helped organise, and performed, with the ‘Velvet Revolution Tour’ funded by the civil rights pressure groups, Charter 88 and Liberty. This drew together bands and sound systems, installation art, theatre, video and information to raise awareness about these new laws. These In total, I have approximately 52,000 images on file. events provided me with the maximum of opportunity to display images directly related to the issues at hand.

In 1994, The Victoria and Albert Museum mounted an exhibition titled ‘Street Style – Sidewalk to Catwalk, 1940 to tomorrow’. I exhibited prints and also advised on matters relating to the travellers lifestyle. My photography also informed the base research for this project.

I am a graduate of Nottingham Trent University with a BA degree in Photography. I specialised in issues surrounding representation, presenting myself in audio – visual format. I wrote my dissertation on “Positive images, evidence, public order & restrictions”.

My concern for this community has lead me to actively be involved in welfare and advice agencies. I have been a field worker for the ‘Release’ organisation and have sat on the management committees of several charities, including ‘Festival Welfare Services’, the ‘Travellers Aid Trust’ and the ‘Standing Conference on Drug Abuse’ (Scoda).

Received a 1998 ‘Big Brother Award’ from Privacy International. Presented by Channel 4′s Mark Thomas at the London School of Economics. Award for ‘outstanding achievement’ in contributions to the protection of privacy, for my photography of the extent of police surveillance.

The presentation was made on the 50th anniversary of the writing of George Orwell’s ’1984′.

I have become interested in presenting slide shows in a multi-media context. I have been showing work in mainly music and theatre venues, at outdoor events such as the Glastonbury Music and Arts Festival, and at performances with the ‘Mutiod Waste Company’ . I have also worked with bands such as Hawkwind, Ozric Tentacles, The Orb, The Levellers and Zion Train. I regularly perform with DIY, a dance music collective based in Nottingham, and with ‘Smokescreen’ from Sheffield. The latest show I have produced and am currently touring with, I have titled: “One eye on the road”

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There are a lot of law changes going on, here in the UK, that affect people while trying to celebrate. Themselves, their culture. just wanting to have a nice time! and let rip with their friends. I am ‘middle aged’ now I suppose, but since I can remember, people around me have said. “Why won’t these bastards leave us alone? all we want to do is, festival, dance, party, etc. We’re not doing anyone any harm”. Thing is, the authorities have never agreed, and they think of ‘free spirits’ as a threat to the state and are treated accordingly.

I had much involvement with free festivals and the events and gatherings at Stonehenge. A free festival at the stones at the Summer solstice that had been happening for twelve years. Hundreds of thousands of young ( and not so young!) gathering for what was obviously a common need to celebrate together. The moral majority! general worthies, the police and the no fun brigade, banded together moved the law about a bit. Then came and hit us with sticks with much blood. It was kind of like a signal and intimidation, to stop many others coming to `play with us in the fields.

Because of our reputation in Britain as having a proper liberal democracy ??, it was news all over the place, that our police could behave in such a way towards unarmed civilians, in pursuit of political ends.

Talking to people in various countries, I know its not just Britain starting to get tough on deviants of various sorts. Although a lot of travelling people have left England because of the oppression of their lifestyles, some are starting to find similar law and prejudice applied to them, elsewhere as well.

Some of the ideas of festivals and travelling that we have done here, have some roots in America in the late sixties with the big festivals (with the free ones building on the edges!), merry pranksters etc. As well as with the ideas of gathering and celebration that go back 2 or 3 thousand years that seem as relevant now, as then.

The music is only part of the mix. Many developed a sense of common purpose and identity. There was an acceptance that modern life was too fast, expensive and polluting to the environment. We had discovered a kind of ‘Anarchy in Action’, and it worked! People began working out and managing relations within ‘our’ communities, without reference to ‘Them??’.

They re trying to squash deviance and dissent here, now. The words `new age traveller’ are dirty words here. Used by the press when they want to be rude to us. Now in `dance culture’, it all goes round again.

Shame isn’t it!

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